Afro-Latin Experience in Puerto Rico (Rechard Peel blog post)



ReChard Peel

Rhythm and Flow.

Two words that sum up the essence of San Juan and Loiza, Puerto Rico. I say that because from the moment I arrived on the beautiful magnificent island, I have felt, heard, seen, and admired the rhythms.

First, there were rhythms that were obvious. The Bomba dance and Plena music used rhythm in ways that are very elusive to most people. They establish rhythms with drums which are derived from Africa as is common knowledge at the BCC, but what they did with drumming was remarkable. Dance typically follows music. In fact, if you ask most people what dance is, it is movement to music. Well, not with Bomba. The dance is only movement. The music was drums to the rhythm of the dances. There was an initial set by the drummers, but when each person danced the primary was able to watch and play around the dancers moves. That was amazing to me, the skill it takes to do something like this was unmatched by anything I’ve ever seen, and then within all of that there was a flow to the dance amongst the professionals and amongst us amateurs. The Bomba dancers (women) wore beautiful bright dresses and used the dressed to accentuate the flow of their movement.

And then later when we had our opportunity to dance along with them, we knowingly created a flow within ourselves, each person jumping in on a rhythm and flowing with the person who went before as if we all knew who was supposed to go next.

Yep, Rhythm and Flow…

Besides Bomba, there was rhythm and flow all throughout San Juan. I am a design major and visual flow of design is a key aspect of my life and my future career, and so something that caught my attention immediately was the architecture in San Juan. It’s very easy to recognize. European influence is in the architecture. But what I noticed is African influence as well as European. A design philosophy rooted in the principle of design as function. You see it in San Juan, a lot of buildings have the jutting out or protruding balconies. That is for the purpose of looking and creating a view outside of the home or building. What is less evident is the patterns and engravings on pillars and railings. These create a visual flow for your eyes to move with, but don’t stand out as anything special unless you understand design philosophy. Combining this second style of engraving and marking with the aforementioned style of design being more function, less artistic, something amazingly beautiful is created in my opinion. On top of that, visual rhythm and flow is created by the color scheme in the architecture and materials used. A lot of buildings had blue tint on the windows. “Blue is an interesting color choice for that,” I thought at the time, then realized the intent when I looked down and saw blue brick on the roads and paths that we traveled. Beautiful flow created by the repetitive color and the contrasting sandy colors, like tan. Funny how repetition creates flow with ease, like how me repeating and describing rhythm and flow in this blog, bringing my words into a particular flow that I really like.

Speaking of …this is something else that we saw while in San Juan that had the same type of rhythms. Visual rhythm created in the art work in the gallery in San Juan. The flow was created by the timeline style of the artwork. We saw each piece from oldest to newest. Within each piece, the professionalism of each artist was shown in the rhythm of their work. I was stunned at the beauty of elegance of the art. I was even more impressed with the work of Samuel Lind who was the painter we met later on in Loiza.

Such amazing artists from such a diversely mixed hybrid of people, and all of the influence of the Tainos, Spaniards, and Africans is easily seen in the artwork. As I said, I’m a design major so my eyes have adjusted to noticing things like that.

Departing from my discussion of rhythm and flow there was another major theme I took away from the experience in Puerto Rico: Culture and Pride. I noticed that everywhere we went, no matter, San Juan or Loiza, everyone we met found ways to prove that they understood the history and heritage of Puerto Rico. Not only that, there were many more historical sites and cultural landmarks than in any other place I have been before. Puerto Ricans take so much pride in who they are, where they came from, and what makes them unique. Our tour guide in Loiza knew so much about their heritage that he connected it to the nature in the surrounding rainforest. In our fourth and final Bomba lesson with the Ayala family, they used Bomba to tell stories about the culture and even though they sang in Spanish some of the stories we were able to understand. Overall in Puerto Rico, people express love and respect their culture in so many different ways and they understand their history and identify so much more than most people in the United States, especially African Americans.

Respecting their culture and history is also seen in religion. A lot of the things we saw had some type of religious background involved. We saw two of the oldest churches in the territory of Puerto Rico as well as a whole lot of art that had religious representations in it. The main religion from what I gathered is Catholicism. Once the people know and understand so much history, I noticed that even our very first tour guide, who was not Catholic, knew about the history of the religion, That was impressive.

To wrap this up, those central themes I mentioned cover pretty much all of my feelings about the wonderful experience of Puerto Rico. I loved this experience and it was amazing and a life-changing experience. I also know that I personally will be very inspired with writing poetry and doing design work in my classes when I go back to Purdue.

Thank you Black Cultural Center, I will remember this for a lifetime.


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