Tag Archives: BCC

Just Limin’ in the Caribbean

by JT Talley

Note: This is the fourth in a series of blogs from students who participated in the BCC’s Fall 2014 Research Tour to Trinidad & Tobago on Oct. 10-15.

Limin’: Trinidadian slang synonymous with resting, relaxing, hanging out, or just chillin’. It falls in line with a culture of knowing and enjoying what you are, who you are, and where you are in the moment. And we definitely enjoyed ourselves in Trinidad and Tobago. During the Purdue Black Cultural Center’s research tour to these Caribbean islands, we were tasked with unmasking blackness in a culture of celebration. And Trinidad is widely known to be the founding country of the largest celebration on Earth: Carnival.

We got a taste of this celebration on the very first day. The same night we arrived in Trinidad, the Carnival Institute of Trinidad and Tobago gave us quite a show. They had us parade with them around Queen Savannah Park and introduced us to some traditional characters of Carnival. There was loud music, fire blowers, whips cracking, weird costumes, and beautiful women. The whole experience was confusing, scary (I’ll mention why in a moment), and EXCITING! It was exciting because you could feel the spirit of celebration in the atmosphere. It was scary and confusing, though, because everything was so new and different.


It was hard to see and understand the point of some of the characters at first. There were devils, people in skeleton costumes with a collection of skulls, masked giants on stilts, and women holding babies looking for the father in the crowd. Especially being a man of Christian faith, I was not sure how to interpret the presence of devils and men with skulls. After letting myself be open to the experience, however, it all became clear.

These characters were not just for some random method of celebration, but rather played a double role in life lessons for the future generations. All the characters and all the costumes had a purpose of showing and teaching on having pride in one’s heritage and warning them about things such as drug usage, alcoholism, and teenage pregnancy. Everything seemed to have a purpose, down to the tiniest detail. And the artists embraced this purpose to the fullest extent, tying everything they did back to the character they portrayed.


I mean, it really only makes sense when you think about it. Carnival itself has a great underlying purpose that many outsiders don’t seem to recognize. The people who started Carnival weren’t celebrating for no reason. It wasn’t some period of overindulgence before Lent, like in the European version made in an attempt to copy the originators. It’s a celebration of resilience of a people to overcome adversity. It’s a celebration of survival and freedom from the injustices of the olden slave days. And you can see this very clearly in their pride, in their performance, and in their speech. Because if you try to ask them who they are, someone will answer, “You know who I am. My name’s survivor.”

American Girls Love Bacon

by Shana Hardy

Note: This is the second in a series of blogs from students who participated in the BCC’s Fall 2014 Research Tour to Trinidad & Tobago on Oct. 10-15.

I stepped out into the sweltering heat of Trinidad pleasingly shocked by how instant my emergence in the culture felt. I realized that the individuals that surrounded me all looked like me. However, they did not sound like me. I found it a little hard to understand the Trinidadian dialect, which is a fusion of proper English, Spanish, and French. As off-putting as that was, my excitement grew as I begin to soak in the differences between this country and the United States.

One of the major differences was evident in the food. Trinidad and Tobago offer plenty of curried options, callaloo, rice, roti, doubles (my favorite), salted fish, shark, and several different tropical fruits. The traditional Trinidadian dishes included, but were not limited to blends of Indian, African, and Creole influences. Interestingly, they have a KFC or Church’s Chicken fast food restaurant on nearly every corner. I didn’t realize until this trip how much beef is integrated into my diet. For most of our meals, we were offered curry chicken or some version of light flaky fish. I craved for a little more meat variety evident in my request for bacon during breakfast in Tobago. The waitress laughed and responded “American girls love bacon.” Though a funny comment, I began to think of some other things I would love to have that would be indicative to the perceptions of a privileged American.

Another distinction that was quite refreshing was the scenery. As we loaded onto the bus to head to the Normandie hotel, the background of Trinidad was overwhelmingly beautiful and humbling at the same time. There were lots of houses in an assortment of colors, shapes, and sizes. They were beautifully dispersed through out the hills and valleys of Trinidad, with a few sky scrapers in the backdrop. This was absolutely breathtaking and a huge contrast to US suburbia, often uniform in conformity. A lot of these houses and buildings in which our workshops took place were designed to allow for open air circulation. There would be these huge fans that were often times off. The heat was almost impossible. And of course there was no air conditioning. I think it is accurate to say that American girls also love air conditioning.

Port of SpainPort of Spain, Capital of Trinidad

Understanding the African diaspora in Trinidad and Tobago was the main focus of the research tour. I have to say this was one of the most moving experiences of my time in T&T. We had the opportunity to participate in an Idakeda group workshop. This group introduced us to the African heritage in Trinidad and Tobago. They shared many of the songs, dances, and stories that were intrinsic to Afro-Trinbagonians. The workshop also contextualized Trinidadian staples such as the steelpan and calypso music. I definitely identified with this portion of the experience due to the common origin of African presence in the US. Afro-Trinbagonians reveled in securing their freedom and their independence. And maintaining that spirit. American girls love the underdog.

Another aspect of our trip was dedicated to understanding the origins of carnival and carnival characters. Carnival is the most significant event to occur in Trinidad, attracting participants from all over the world. Carnival features calypso, soca (a contemporary derivative of calypso), and the nation’s official instrument, the steelpan. I was especially interested in the Baby Doll character. She would be dressed in a frilly or lacy garment, often wearing a bonnet. She would walk around carrying a white baby with blue eyes stopping male passersby and accusing them of being the baby’s father. Uncovering the origins of carnival revealed that the babydoll character was a mocking statement at whites having babies with black women and then abandoning them. Many of the other traditional carnival characters grew more complex as we learned more and more during the tour.

Baby DollIdakeda Group portrays the Baby Doll character,
a traditional Carnival character.

I have come to realize that celebration is homogenous in the twin islands, Trinidad and Tobago. The entire time I was in the tropical paradise, I celebrated T&T’s rich cultural identities that ranged from Afro to Indo-Trinbagonian. It was absolutely amazing. I know that I will miss the tropical climate, the biodiversity, and more importantly, the rich people of Trinidad and Tobago. This American girl fell in love with the people, where the culture of T&T dwells.

The Traditional Characters of Carnival

by Arlie Lehmkuhler

Note: This is the first in a series of blogs from students who participated in the BCC’s Fall 2014 Research Tour to Trinidad & Tobago on Oct. 10-15.

Friday, we had the privilege of participating in a small Carnival put on by the National Carnival Commission. Carnival started after the freeing of the slaves in Trinidad and Tobago. It was a show put on to mimic the slaveowners essentially, and the range of characters are amazing.

First, there is the basis of music that is the steel pan drums. They are attached by a framework made of pipelike metal poles. People would assist the movement of the band as they walk forward and continuous play the magical sounds of the steel pan. Now, let’s move on to the eccentric characters.

The Midnight Robber is a person who dresses similar to a grave robber or grim reaper. His dress included many skulls around his two layer hat and an all black skeletal costume with a decorated cape. His character carried a gun and basically collected the skulls on his hat. The emergence of this character came from slaves having to be in by midnight or they were basically risking their life. Something else to note while each character presented themselves to us was that when in costume they ARE that character.

They next set of characters to introduce themselves were the Jab Jab. These were the people with electrifying whips that most people thought were the sounds of firecrackers or guns. It is LOUD. They cover their whole bodies for somewhat protection, but also elaborate decorations distract their opponents because it was a competition as well. The Jab Jab have short whips used the whip each others bodies. They prepare their skin for this by brushing their body. They also wear bells on their ankles. Though this was thought to represent the slave master or whip cracker on the plantation, it derives from the Indian influence of the country. People worship the Hindu god Cali by whipping themselves as a spiritual thing. Competitions are held throughout the year and his wife was actually the first female Jab Jab; she also competes.

Next, we’ve come to a french influence of Pierrot Grenade. The name in French patois is Grenadian clown. This lady was dressed similar to a 1920s flapper and used allegories to spell words. For example, how do you spell Chicago? When you have to take your chicken to the vet and the light is finally green, “CHIcken n de CAr can GO.” Another one might be what happens when you play music out on the farm where your pigs are kept, “yo pig IN DE PEN DANCE.” Trinidad and Tobago declared their independence in 1962. This character used to fight with whips, similar to Jab Jab, and were French pantomimes, but they began fighting with words as time continued.

A more traditional character that emerges at Carnival is the Fancy Sailor. The man we met was about 80 and had been dancing as the Fancy Sailor since he was six! They wear big elaborate costumes and dance real smooth with great footwork. He even did the drunk sailor dance for us! The origination of the sailor came from mocking the sailors who brought them over. The women of the group dressed as sailors for the parade!

Fancy Indian came about from traditional Native Americans. They use modern materials, but keep the dress and design very traditional and the same to Native American dress. They do not have any African influence and do not refer to themselves as Indian, which is not the accurate term since there is an East Indian influence. Yet, the name Fancy Indian sticks because that is what they are historical called as a role in Carnival. They even have met with Native Americans and the Native Americans are amazed to see the hundreds of traditional headdresses made from this family. It’s amazing how uniquely they preserve the culture. This was the Jagasaw family.

The Masqueraders are the lovely ladies dress in beautiful detailed outfits that only cover what is necessary. They are the modern aspect of Carnival and do not have any historical ties.

Dame Lorraine is another French influenced character that is traditionally played by a male. He dresses up in a large dress to accentuate the breasts and bottom that are made of pillows and wears bright makeup and accessories. This was a satire of the wives of the plantation owners. Sally BomBom is known in other areas. Eric Nichols was the man who played this character and he won King of Carnival prize last year for his portrayal of this character as Nicki Minaj.

The Babydoll is a character that carries around multiple children and dresses scandalously, accusing men to be her baby’s father. This role pokes fun at the women who would carry around their blue eyed babies, covered up, accusing black men to be the father of her baby, though it made no logical sense. She would have people pay to see her children, thus making money.

The Blue Devils were also a VERY scary creature, they are fire breathers. They are painted blue and paint was used to erase your identity, which also comes from the traditional oil pan that is pushed around by a sailor. The oil was also used as paint to erase the identity as well so they could do what they want and not be punished. Also, you had to pay the blue devils or they would rub their blue body all over you.

Moko Jumbie was on stilts that derived from an Africa spirit that walked across the Atlantic Ocean. After years of brutal treatment, he remains tall. Costumes differ in every way and kids use this to learn as an after school activity.

It was great to see all the characters of Carnival and hopefully everyone will come out to see us portray some of these at the Masquerade Ball and our Cultural Arts Festival!

Lowcountry Cooking in South Carolina and Georgia (Culture Brief, no.4, Fall 2013)

The Purdue Black Cultural Center is launching a new electronic publication – Culture Briefs.  This fall, the Culture Briefs will be directly tied to the BCC fall semester theme Gullah Folklore:  (Re)membering Our Pathways Through Low Country Legacies.” This is week’s brief is written by the BCC’s very own librarian, Ms. Jamillah R. Gabriel.